Roy Lichtenstein: Painting with Scattered Brushstrokes Tote Bag
This tote bag featuring a detail of Forest Scene with Temple (1966) was produced in conjunction with Roy Lichtenstein: Painting with Scattered Brushstrokes at Gagosian, 541 West 24th Street, New York. Presenting paintings, a sculpture, watercolors, and other works on paper exclusively from the Collection of the Lichtenstein Family, the exhibition was titled after a 1984 canvas by the artist and highlighted his use of the brushstroke as a formal and symbolic device. In the mythic tableau that constitutes Forest Scene with Temple, Lichtenstein juxtaposes Pop-inflected illustrations of the painterly mark with ārealā gestural examples alongside Benday dots and stripes, furthering his playful engagement with issues of style, originality, and representation.
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Roy Lichtenstein: Painting with Scattered Brushstrokes Tote Bag
Roy Lichtenstein: Painting with Scattered Brushstrokes Tote Bag
This tote bag featuring a detail of Forest Scene with Temple (1966) was produced in conjunction with Roy Lichtenstein: Painting with Scattered Brushstrokes at Gagosian, 541 West 24th Street, New York. Presenting paintings, a sculpture, watercolors, and other works on paper exclusively from the Collection of the Lichtenstein Family, the exhibition was titled after a 1984 canvas by the artist and highlighted his use of the brushstroke as a formal and symbolic device. In the mythic tableau that constitutes Forest Scene with Temple, Lichtenstein juxtaposes Pop-inflected illustrations of the painterly mark with ārealā gestural examples alongside Benday dots and stripes, furthering his playful engagement with issues of style, originality, and representation.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
This tote bag featuring a detail of Forest Scene with Temple (1966) was produced in conjunction with Roy Lichtenstein: Painting with Scattered Brushstrokes at Gagosian, 541 West 24th Street, New York. Presenting paintings, a sculpture, watercolors, and other works on paper exclusively from the Collection of the Lichtenstein Family, the exhibition was titled after a 1984 canvas by the artist and highlighted his use of the brushstroke as a formal and symbolic device. In the mythic tableau that constitutes Forest Scene with Temple, Lichtenstein juxtaposes Pop-inflected illustrations of the painterly mark with ārealā gestural examples alongside Benday dots and stripes, furthering his playful engagement with issues of style, originality, and representation.
















