Gerhard Richter: Haggadah
This diasec-mounted chromogenic print by Gerhard Richter was produced in collaboration with Heni Editions and comes from a series of eleven editions by the artist. The work is based on Richterās unique oil painting Haggadah (2006), whose title refers to the text that recounts the instructions for Jewish Passover and loosely translates to āstory,ā reflecting the workās subtle oscillation of form. A layered composition in blue, gray, green, red, and yellow made using a squeegee, Haggadah appears to shift between abstraction, figuration, and three-dimensionality, encapsulating the artistās dictum: āThe intention [is] to invent nothingāno idea, no composition, no object, no formāand to receive everything: composition, object, form, idea, picture.ā
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Gerhard Richter: Haggadah
Gerhard Richter: Haggadah
This diasec-mounted chromogenic print by Gerhard Richter was produced in collaboration with Heni Editions and comes from a series of eleven editions by the artist. The work is based on Richterās unique oil painting Haggadah (2006), whose title refers to the text that recounts the instructions for Jewish Passover and loosely translates to āstory,ā reflecting the workās subtle oscillation of form. A layered composition in blue, gray, green, red, and yellow made using a squeegee, Haggadah appears to shift between abstraction, figuration, and three-dimensionality, encapsulating the artistās dictum: āThe intention [is] to invent nothingāno idea, no composition, no object, no formāand to receive everything: composition, object, form, idea, picture.ā
Original: $30,000.00
-65%$30,000.00
$10,500.00Product Information
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Description
This diasec-mounted chromogenic print by Gerhard Richter was produced in collaboration with Heni Editions and comes from a series of eleven editions by the artist. The work is based on Richterās unique oil painting Haggadah (2006), whose title refers to the text that recounts the instructions for Jewish Passover and loosely translates to āstory,ā reflecting the workās subtle oscillation of form. A layered composition in blue, gray, green, red, and yellow made using a squeegee, Haggadah appears to shift between abstraction, figuration, and three-dimensionality, encapsulating the artistās dictum: āThe intention [is] to invent nothingāno idea, no composition, no object, no formāand to receive everything: composition, object, form, idea, picture.ā