This book was published on the occasion of Christopher Wool: See Stop Run at 101 Greenwich Street, New York. Organized by the artist with curator Anne Pontégnie, the survey exhibition was presented on the unoccupied nineteenth floor of a building in Manhattan’s Financial District in spring and summer 2024 and drew more than 12,500 visitors. Featuring seventy-five works by Wool from the past decade, it employed the vacant 18,000-square-foot space, and the cityscape beyond, to contextualize and extend the artist’s aesthetic.

Taking the form of an expanded artist’s book, the catalogue gathers nearly three hundred candid and evocative color and black-and-white photographs of the installation taken by dozens of artists, friends, and Instagram users to reflect on the ways in which exhibitions are now documented and their contents reproduced and disseminated. It also includes an extensive interview between Wool and Pontégnie that situates the project within the artist’s three-decades-long use of photography and installation.